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Sony HVC-3000P Trinicon Camera Teardown

Camera Left
Camera Left

Following on from the viewfinder teardown, here’s the rest of the camera. This unit dates back to 1980, and is made almost exclusively of cast aluminium. Very little plastic has been used here & only for the bits that the user comes into contact with. This camera is based around the Sony Trinicon camera tube system, technology dating back before CCDs. There aren’t many controls on this side of the camera, only the record button, which is hidden behind the camera handgrip.

Camera Right
Camera Right

The other side of the camera has most of the controls for the picture.

Image Controls
Image Controls

The image controls inclue auto / manual iris, white balance & colour balance.

Rear Panel
Rear Panel

Sharpness & fader controls are on the back of the camera, along with the umbilical cable which would have connected to a Betamax recorder.

Main Lens
Main Lens

The lens on this camera is massive, at least a kilo of optical glass. Focus control is manual, with both auto & manual zoom control.

Lens Zoom Control
Lens Zoom Control

The Zoom controls are on top of the grip, with a button to the rear of the control which I have no idea about. The internal belts are a bit rotted with age so the zoom function doesn’t work great.

Trinicon Control Board
Trinicon Control Board

After removing the side covers, the two large PCBs become visible. These units are absolutely packed with electronics. On this side is the Trinicon tube control board, generating all the high voltages for electron beam acceleration, focus & electrostatic deflection of the beam. There’s around 500 volts knocking around on this board, with some rather specialised hybrid modules doing all the high voltage magic.

Video Process Board
Video Process Board

The other side of the camera has the video process board, which performs all the colour separation of the video signal from the tube, processes the resulting signals into a composite video signal, and finally sends it down the umbilical.

Bare Controls
Bare Controls

Removing some of the remaining covers exposes the bare video controls, and a small PCB just underneath covered in trimpots to set factory levels.

White Balance Filter Arm
White Balance Filter Arm

The white balance is partially electronic & partially mechanical. This lever actuates a filter inside the lens assrembly.

Remote Connector
Remote Connector

A DIN connector offers remote control ability. The large loom of wires disappearing off to the right is dealing with the zoom mechanism & the onboard microphone amplifier. Just under the DIN connector hides the system power supply, inside a soldered can. The can under the white tape is the head end amplifier for the Trinicon video tube.

Trinicon Mount
Trinicon Mount

Hiding in the centre of the camera inside the casting is the Trinicon tube assembly itself. The label can just be seen here.

Camera Internals 1
Camera Internals 1

As is typical of 1980’s electronic design, the main boards swing down & are designed to slot into the base casting folded out for repairs. Internally the unit is a rat’s nest of wiring loom. There’s also another shielding can in here nestled between the boards – this is the video sync generator circuit.

Camera Internals 2
Camera Internals 2

The other side gives a better view of the video sync generator can. I’ll dive into the individual modules later on.

Lens Zoom Assembly
Lens Zoom Assembly

Under the remaining side cover is the zoom assembly & microphone amplifier board. More massive wiring loom hides within.

Video Sync Generator
Video Sync Generator

The video sync generator is pretty sparse inside, just a large Sony CX773 Sync Generator IC, with a pair of crystals. There are a couple of adjustments in here for video sync frequencies.

Head End Amplifier
Head End Amplifier

Removed from it’s shielding can, here is the head end amplifier for the Trinicon tube. This very sensitive JFET input amplifier feeds into the main video process board.

Input Transformer
Input Transformer

The Trinicon tube target connects to this input transformer on the front of the amplifier board.

Internal Video Adjustments
Internal Video Adjustments

The internal white balance controls are on this small PCB, mounted under the user-accessible controls.

Vidicon Control Board
Vidicon Control Board

Here’s the main control board responsible for the Trinicon tube & exposure control. Down near the front is the auto-iris circuit, nearer the centre is timing control & at the top is the high voltage power supply & deflection generator ICs.

High Voltage Section
High Voltage Section

Here’s the high voltage section, the main transformer at right generating the voltages required to drive the video tube. The large orange hybrids here are a pair of BX369 high-voltage sawtooth generators that create the deflection waveforms for the tube. The other large hybrid is a BX382 Fader Control.

Video Process Board
Video Process Board

The other large board contains all the video process circuitry, all analogue of course. There are a lot of manual adjustment pots on this board.

Lens Barrel
Lens Barrel

After removing the lens assembly, the tube assembly is visible inside the barrel casting. Not much to see yet, just the IR filter assembly.

Trinicon Tube Assembly
Trinicon Tube Assembly

Here’s the unit removed from the camera. Unfortunately this tube is dead – it shows a lot of target burn on the resulting image, and very bad ghosting on what poor image there is. The Trinicon tube itself is encased in the focus coil assembly, the windings of which are hidden under the shielding.

IR Filter
IR Filter

The IR filter is locked into the front of the tube, on a bayonet fitting. The twin target wires are running off to the left, where they would connect to the head end amplifier.

Bare Tube
Bare Tube

After removing the IR filter glass, the Trinicon tube itself is removed from the focus coil assembly. There’s an electron gun at the rear of the tube, like all CRTs, although this one works in reverse – sensing an image projected on the front instead of generating one.

Deflection Plates
Deflection Plates

It’s a little difficult to see, but the electrostatic deflection electrodes in this tube are created from the aluminium flashing on the inside of the glass, in a zig-zag pattern. The interleaving electrodes are connected to base pins by spring contacts at the electron gun end of the tube.

Electron Gun
Electron Gun

The electron gun is mostly hidden by the getter flash & the deflection electrodes, but the cathode can is visible through the glass, along with the spring contacts that make a connection to the deflection electrodes. This is also a very short gun – it doesn’t extend more than about 5mm into the deflection zone. The rest of the tube up to the target is empty space.

Target
Target

Finally, here’s the target end of the tube. I’m not sure how the wires are attached to the terminals – it certainly isn’t solder, maybe conductive adhesive?
It uses a vertically striped RGB colour filter over the faceplate of an otherwise standard Vidicon imaging tube to segment the scan into corresponding red, green and blue segments. It is used mostly in low-end consumer cameras, though Sony also used it in some moderate cost professional cameras in the 1980s.
Although the idea of using colour stripe filters over the target was not new, the Trinicon was the only tube to use the primary RGB colours. This necessitated an additional electrode buried in the target to detect where the scanning electron beam was relative to the stripe filter. Previous colour stripe systems had used colours where the colour circuitry was able to separate the colours purely from the relative amplitudes of the signals. As a result, the Trinicon featured a larger dynamic range of operation.

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Goodmans Quadro 902 Composite Video Mod

CRT Module
CRT Module

Here’s the CRT & it’s drive board removed from the main chassis. Nicely modular this unit, all the individual modules (radio, tape, TV), are separate. This is effectively a TV itself, all the tuner & IF section are onboard, unlike in other vintage units I’ve modified, where the tuner & IF has been on a separate board. There’s a 3-pin header bottom centre for the tuning potentiometer, and external antenna input jack. The internal coax for the built in antenna has been desoldered from the board here. here a the usual controls on the back for adjusting brightness, contrast & V Hold, all the other adjustments are trimmers on the PCB.
Unfortunately after 30+ years of storage, this didn’t work on first power up, neither of the oscillators for vertical or horizontal deflection would lock onto the incoming signal, but a couple of hours running seemed to improve things greatly. The numerous electrolytic capacitors in this unit were probably in need of some reforming after all this time, although out of all of them, only 21 are anything to do with the CRT itself.

Anode Cap
Anode Cap

Here’s the anode side of the unit, with the small flyback transformer. The rubber anode cap has become very hard with age, so I’ll replace this with a decent silicone one from another dead TV. The Horizontal Output Transistor (a 2SC2233 NPN type) & linearity coil are visible at the bottom right corner of the board. Unfortunately, the disgusting yellow glue has been used to secure some of the wiring & large electrolytics, this stuff tends to turn brown with age & become conductive, so it has to be removed. Doing this is a bit of a pain though. It’s still a little bit flexible in places, and rock hard in others. Soaking in acetone softens it up a little & makes it easier to detach from the components.

Neck PCB
Neck PCB

There’s little on the neck board apart from a few resistors, forming the limiting components for the video signal, and the focus divider of 1MΩ & 470KΩ feeding G3. No adjustable focus on this unit. There’s also a spark gap between the cathode line & ground, to limit the filament to cathode voltage. The flyback transformer is nestled into the heatsink used by the horizontal output transistor & a voltage regulator transistor.

Tube Details
Tube Details

The CRT is a Samsung Electron Devices 4ADC4, with a really wide deflection angle. It’s a fair bit shorter than the Chinese CRT I have which is just a little larger, with a neck tube very thin indeed for the overall tube size.
Unusually, while the filament voltage is derived from the flyback transformer as usual, it’s rectified into DC in this unit, passing through a 1Ω resistor before the filament connection. I measured 5.3v here. The glow from the filament is barely visible even in the dark.

Electron Gun 1
Electron Gun 1

The electron gun is the usual for a monochrome tube, with 7 pins on the seal end.

Electron Gun 2
Electron Gun 2

The electrodes here from left are Final Anode, G3 (Focus Grid), Accelerating Anode, G2 (Screen Grid), G1 (Control Grid). The cathode & filament are hidden inside G1. In operation there’s about 250v on G2, and about 80v on G3.

Chipset
Chipset

The chipset used here is all NEC, starting with a µPC1366C Video IF Processor, which receives the IF signal from the tuner module to the left. This IC outputs the standard composite signal, and a modulated sound signal.
This then splits off to a µPC1382C Sound IF Processor & Attenuator IC, which feeds the resulting sound through the two pin header at the right bottom edge of the board to the audio amplifier in the chassis.
The composite video signal is fed through a discrete video amplifier with a single 2SC2229 transistor before going to the CRT cathode.
The remaining IC is a µPC1379C Sync Signal Processor, containing the sync separator, this is generating the required waveforms to drive the CRT deflection systems from another tap off the composite video line.
From this chip I can assume the unit was built around 1986, since this is the only date code on any of the semiconductors. Besides these 3 ICs, the rest of the circuit is all discrete components, which are well-crammed into the small board space.
There are 5 trimmer potentiometers on the board here, I’ve managed to work out the functions of nearly all of them:

  • SVR1: IF Gain Adjust
  • SVR2: H. Hold
  • SVR3: V. Size
  • SVR4: B+ Voltage Adjust
  • SVR5: Tuner Frequency Alignment? It’s in series with the tuning potentiometer in the chassis.
PCB Bottom
PCB Bottom

The PCB bottom shows the curved track layout typical of a hand taped out board. The soldermask is starting to flake off in places due to age, and there a couple of bodge wires completing a few ground traces. Respinning a board in those days was an expensive deal! Surprisingly, after all this time I’ve found no significant drift in the fixed resistors, but the carbon track potentiometers are drifiting significantly – 10KΩ pots are measuring as low as 8KΩ out of circuit. These will have to be replaced with modern versions, since there are a couple in timing-sensitive places, like the vertical & horizontal oscillator circuits.

Anode Cap Replaced
Anode Cap Replaced

Here the anode cap has been replaced with a better silicone one from another TV. This should help keep the 6kV on the CRT from making an escape. This was an easy fix – pulling the contact fork out of the cap with it’s HT lead, desoldering the fork & refitting with the new cap in place.

Here I’ve replaced the important trimmers with new ones. Should help stabilize things a little.

Composite Injection Mod
Composite Injection Mod

Injecting a video signal is as easy as the other units. Pin 3 of the µPC1366C Video IF Processor is it’s output, so the track to Pin 3 is cut and a coax is soldered into place to feed in an external signal.

CRT In Operation
CRT In Operation

After hooking up a Raspberry Pi, we have display! Not bad after having stood idle for 30+ years.

Datasheets for the important ICs are available below:
[download id=”5690″]
[download id=”5693″]
[download id=”5696″]

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STVG-502 Karaoke Machine CRT

Image Display

Here’s the CRT circuitry from a tossed STVG-502 Karaoke Machine, which got a good soaking in Manchester’s brilliantly wet weather before I managed to get hold of it:

Main PCB
Main PCB

I didn’t do a full teardown of this unit, since it was soaking wet & smelled rather badly of sour milk, so instead I quickly gutted it for the useful parts. These machines are a combination of a CD+G player, CRT composite monitor for displaying the CD+G lyrics & a small audio amplifier & 3W speaker. Power is provided from the mains via a transformer, with both 12 & 24v windings. One half of the board has the audio amplifier sections, the other the CRT drive, running from the 12v & 24v supplies respectively. I chopped off the audio section, as that wasn’t needed.

Linear Regulator
Linear Regulator

On this huge heatsink is what I originally thought was the horizontal drive transistor is actually a 12v linear regulator – the board gets fed 16v AC. This is then run through a rectifier which will produce an approx 22v rail, and after the smaller transistor on the left used for power switching. The 22v then gets dropped through a 1/2W 1Ω resistor, then the linear regulator drops it down to 12v for the rest of the circuit – dissipating a goodly amount of power in the process.

Horizontal Output Transistor
Horizontal Output Transistor

This is in fact the horizontal drive transistor, a 2SD613, which according to the datasheet, is intended for audio amplifier output stage applications, not CRT drive. Regardless, it’s an 85v 6A NPN transistor, and does get a bit on the warm side, but was never given a heatsink from the factory.

CRT Drive IC
CRT Drive IC

All the drive signals for the CRT are taken care of by this single DIP IC – a CD1379CP from Silicore. Considering the older CRT-based devices I have, with entire boards twice the size of this one dedicated to discrete components required to drive a CRT, this is definitely an advance in technology. Very few external components are being used, and no custom magnetics.

Video Input
Video Input

The video signal comes in from the CD+G player module on this connector, it’s a standard composite input. The composite video is fed into an amplifier after the controller IC. This video amp is powered from a 140v rail from the flyback transformer, to give enough signal to drive the CRT cathode.

LOPT
LOPT

The high voltage transformer is a BSH8-N5513L, I’ve not been able to find any data on this, but it looks like a standard off the shelf transformer from the listings on the Chinese supplier sites. There are very few support components around here, just a couple of diodes to rectify the high voltage focus supply, and no linearity coil. Weirdly, the 1st accelerating anode of the tube is grounded in this circuit. Very few adjustments are provided, most are set with fixed resistors to keep the cost low.

The CRT

14SX3Y4 CRT
14SX3Y4 CRT

Here’s the CRT, it’s a 5″ monochrome model. I’ve not been able to find much data on this either.

Bent Electron Gun
Bent Electron Gun

Seems the gents in the Shenzhen factory were having a bit of an off day when this one was made – the electron gun assembly is actually tilted in the neck of the tube – as a result the spot formed with no deflection is far from the centre of the screen. This tube does still produce a pretty good picture though, this manufacturing error is easily corrected for with the positioning magnets on the deflection yoke.

Final Mods

PCB Mods
PCB Mods

I’ve installed a couple of mod wires on the bottom of the PCB to get this to work outside the original application, without the room heater of a linear regulator in circuit this will run fine from a 12v supply. The PCB quality is a bit naff – even quick heating with a soldering iron makes tracks fall off the laminated paper board.

Image Display
Image Display

Image quality is surprisingly good for the cheapest CRT-based monitor I’ve ever seen, I figured a Fallout reference was required here; anyone for a proper CRT-based PipBoy? 😉 Shame the phosphor isn’t green.